Brand Integration & Product Placements

Saturday, December 16, 2006


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Embed 2.0

It's been a long time since I updated the blog. We have been hard at work on Embed 2.0, which is a major upgrade to the previous version. We now have
  1. Full support for the avail / opportunity lifecycle
  2. Greatly enhanced avail & production information to allow buyers to make informed buy decisions.
  3. Very detailed product profile. Which are really prelude to campaigns.
  4. Media gallery galore. Tons of pictures, videos, audio elements can now be attached to avails.
  5. Much, much, much more. Stay tuned for future posts.

Overall, it'll be a greatly enhanced user experience.

Wednesday, May 17, 2006


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Embed - platform for brand integration & product placement

So we just got back from NY after a very exiting product launch of Embed - our new brand integration platform. The response was overwhelming, despite being pitted against NBC upfronts, we had a full house of attendees.
I had very interesting conversation with various producers, media buyers, agency folks, networks, and all of them simply loved our feature set. They loved the fact that there is now a

  • Single place to view inventory across various media types - tv, film, music, and video games
  • Transact on these avails
  • Get analytics based on a new "ad unit" for product placement and brand integration called Entertainment IQ (E*IQ).
  • See comparisons (using E*IQ) against your competitor set; see top TV shows, and placements.
  • Introduce new business model -pay for performance. This is ideal for buyers, as this new model does not enforce them to pay upfront for an opportunity, instead they pay based on amount of time their brand appears in a production.

Embed is bringing science into the amorphous and sometimes, confusing world of product placement deals. The inefficiencies in the system will be removed. This is going to be beneficial for both buyers and sellers.

Press coverage has been great!!

Monday, May 08, 2006


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What's Wrong with this Picture? - measuring effectiveness & value of brand integration and placements

Traditional ads (e.g. 30 sec ad on TV) have well defined metrics for measuring ad effectiveness and value such as ratings for a show (e.g. GRP), duration, and ad rate (based off CPM and ratings) etc.
These metrics cover the world of tradtional ads on TV and movies fairly well. E.g. If I know rating (which imply a % of households) for a show, I've a decent idea on how many households are seeing my ad at any time. Of course, with the coming of DVR (30% penetration by 2008), the effectiveness of these metrics is called into question as well

Now try to place the same metrics in the world of product placements & brand integrations and we run into issues:

  1. Ratings denote the % population who are watching a show at any time. We expect them to be fully immersed in its contents. So, when an ad comes up, they are watching it. But this doesn't hold true for brand integrations. The integrations are inserted into show and are part of its subconscious character. E.g. Tom Cruise uses Land Rover's discovery SUV in MI-III in the Shanghai shoot out scene; I know the number of people who watched MI-III in the first week but what is the impact of Discovery SUV on them? I cannot get this data point by just looking at the ratings.
  2. Ad rate. This is directly calculated based on ratings (show's popularity). E.g. American Idol, the highest rated show for 2006 till date, garners $1.3M per 30 sec ad spot for its finale. How do you do the same for brand integrations? Isn't a dialog mention with lead actor more valuable than a background?
  3. Look at the web world. Google has made it a science of marketing, monetizing, and measuring ad placements. Everyone can take part and all are happy as they are paying for the ad on a pay per click basis, i.e. performance driven.

Here is a real example (I'll not name the brand to protect the innocent) - a brand had the highest exposure (number of seconds in a show) for a top rated show in 2004 season. Going by this data, this brand should have been the most effective for that show. But no one had ever heard of it, in fact brands far lower than it in terms of exposure were associated more closely with the show. So, what went wrong here? The brand was in the wrong places in the show, e.g in the background v/s with lead actor, etc. I don't know how much this brand paid to get in the show but they sure didn't get what they had hoped for. I wonder if they could do it differently, similar to the web world....

So, how we go about addressing these issues?

We need to rethink the way we measure effectiveness in the brand integration and product placement world. These parameters can be based off, but not the same as, the 30 sec ad spot (for TV). New techniques, based on cognitive science, need to be applied here.

Additionally, we need to rethink if techniques, which are successful in the web world can be applied here.

I'll lay out a proposal for a new technique for product placements and brand integrations in the next post.

Tuesday, May 02, 2006


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NextMedium - power behind brand integration

NextMedium got coverage in Fortune - May 2, 2006 issue - "outwitting TiVo". The new brand integration and product placement marketplace platform, Embed, is being launched this month. Powered by rich analytics, this will open a new avenue for viewing, creating, and transacting on opportunities.

This is going to shave off weeks, if not months, from the arduous task of brand integration deals. Most importantly, it'll bring in new buyers to the advertising format of brand integration and product placements. And above all, Embed will introduce new business models based on scientific measurements.

Stay tuned for more details.

Tuesday, April 25, 2006


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Latest placements & deals

I just read this post from Detroit News on how automobile manufacturers are fighting over prized brand integrations.
1. MTV's Real World - the kids in this serial have a problem, they have only one car - Ford Expedition, and they are fighting over who gets to use it. The kids marvel and go wild over the car.

2. Ford has had some remarkable success with movies like Crash, XXX:state fo the union, Die Another Day (T-bird), and is featuring its cars in upcoming movies such as MI-III (Land Rover) and James Bond flick Casino Royale (new Aston Martin).










But there are challenges, movie schedules are long and manufacturers have to tie product launches to movie release date. But most say its worth the effort.

So how is a typical deal structured?
If Universal Studios comes to you and says we want $2 million for the placement of a Dodge Charger in our new movie, 'Miami Vice,' you tell them, 'Absolutely not. But I'll tell you what we will do. We'll spend $4 million on ad buys with you. Let's promote your project and let's promote our property,' .
That was the deal Chrysler struck with the producers of the recent Harrison Ford flick, "Firewall." The Chrysler 300 had a starring role and Chrysler heavily hyped the movie and its car on the Web.

Friday, April 21, 2006


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More brand integration and placements in the news

I just finished reading few articles about brand integration in the news. It's great to see that the top marketers seem to be in synch with the importance and efficacy of this medium of advertising.

Here is a sampling:
"A survey by the Association of National Advertisers found that more marketers are using branded entertainment this year than last year, and most are doing it because they believe it is an effective way to reach consumers."

"Karen Soots, marketing media manager for Red Lobster, said her TV budget will be up slightly for the upfront. But considering the DVR environment, she said she'll continue to explore product integrations and other alternatives except for reality shows. "We'll move to more programming that may be more DVR-proof, like news and live sports."

"Eighty percent of companies participating in branded entertainment used TV as their medium of choice, while 45% used theatrical movies and 28% have used the Web"

But there are issues as well -
"The inability to measure branded entertainment's impact was a major concern among many respondents. Ms. Milway said this was sometimes an issue for Campbells because there's no good way to measure buzz. A multitude of marketing elements drive the business so it is hard to isolate how much each marketing strategy contributes to sales. "

Wednesday, April 19, 2006


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Why is brand integration the wave of the future for TV ads

The TV traditional 30 second ad market is huge - $70B. But key technological trends are beginning to erode its value. The chief amongst them being DVR. DVRs are slated to be in 30% of US households by 2008 and these are the key demographic constituents. Almost 98% of these household skip ads while watching recorded TV. Add to that the viewing trends of today's generation - more folks are surfing the web and spending time playing video games v/s watching TV. i.e. 30 sec ad market is bleeding.

Off late, there has been a growing trend towards incorporating brands directly in shows. Remember the "junior mint" drop in Seinfeld or recent episodes of Apprentice with storyline integration. Networks and production companies are waking up to the fact that advertisers are well aware of the lack of effectiveness in 30 sec ads. Brand integration is the wave of the future for TV ads.